To hear demos for three of the songs on "Better Late Than Never," go here:
http://myspace.com/aheyheynow
http://myspace.com/aheyheynow
Enjoy!
Always liked to write and find blogging to be a relaxed and easily accessible place to put out my thoughts on things I enjoy...mostly...about music I feel isn't getting its proper due that moves me to my core


 He came on stage twenty minutes late and twenty minutes into his set announced he would have to cut his show short to catch a plane to New York City.  There were problems with the sound and with his ear monitors.  He did a lot of talking and, on the hits, often just held the microphone towards the audience so they could do the work of actually singing the songs.  There was a gamely performed but superfluous fifteen minute tribute to Rick James, Gerald Levert and James Brown - this from a man who in his first three albums could have filled up an entire performance with nothing but neo-soul classics.  He danced some and shook hands, hugged and high fived as many of his ecstatic fans as he could reach from the stage, and he mugged for hundreds of digital cameras, cameraphones and camcorders.  He did a medley of some of his hits, and full-on versions of a couple more.  He actually included the biggest song from his underrated "Soul Star" album of a few years back, "Just for the Night," which he'd failed to do in his last local show at The Fillmore around the time of its release, and then led the audience in a singalong of the crazy creative title song.
 He came on stage twenty minutes late and twenty minutes into his set announced he would have to cut his show short to catch a plane to New York City.  There were problems with the sound and with his ear monitors.  He did a lot of talking and, on the hits, often just held the microphone towards the audience so they could do the work of actually singing the songs.  There was a gamely performed but superfluous fifteen minute tribute to Rick James, Gerald Levert and James Brown - this from a man who in his first three albums could have filled up an entire performance with nothing but neo-soul classics.  He danced some and shook hands, hugged and high fived as many of his ecstatic fans as he could reach from the stage, and he mugged for hundreds of digital cameras, cameraphones and camcorders.  He did a medley of some of his hits, and full-on versions of a couple more.  He actually included the biggest song from his underrated "Soul Star" album of a few years back, "Just for the Night," which he'd failed to do in his last local show at The Fillmore around the time of its release, and then led the audience in a singalong of the crazy creative title song.